Magic in the Lab: Psychological Insights from Magicians
Anthony Barnhart, Ph.D.
August 14, 2022
Anthony Barnhart, Ph.D. is a cognitive scientist. Besides being the Chair of the Department of Psychological Science at Carthage College, where he regularly teaches a college course devoted to the cognitive science of magic, Tony is also a part-time professional magician. Tony starting his side gig as a magician at age 15, was a founding member of the Science of Magic Association, and frequently appears in national and international media.
Psychologists first took interest in the methods of magicians in the late 1800s and published several papers. Tony feels that this interest arose from the popularity of mesmerism (hypnosis) and spiritualism in America. The widespread paranormal beliefs lead to the creation of the foundation of the American Society for Psychical Research on 1884. Some members of this society focused on trying to understand the methods magicians used to “trick” their audiences. The behaviorist revolution in psychology in the early 1900s ended evaluation of research into the methods of magicians until the 1990s.
In the last 20 years there has been renewed interest in the methods of magicians by psychologists that has produced several publications. When trying to understand why magicians are able to convince their audiences magicians have an advantage over psychologists — magicians don’t have to understand and explain why an “illusion” works, they only have to know that the audience will accept the illusion. On the other hand, psychologists have to develop an understanding of how the brains of audience function when presented with an illusion, and the mechanisms that lead the audience to accept the illusion.
Magic is difficult to study in the lab because most magic tricks involve misdirection. The magician directs the audience away from the method by using narrative, focusing attention on something irrelevant, using motion or prediction, using humor, or complex language. These allow the magician to direct the audience to an effect. Tony’s studies in the lab have focused on exploiting our psychological and attentional limitations.
Because our perception is calibrated by experience, our systems are biased towards interpretations that are simple and likely. Our minds fill in the blanks when a portion of an object is obscured. Thus magicians are able to manipulate our perception by playing with what we see to fool us into seeing something we assume to be a whole when it actually disconnected pieces.
Another trait that magicians use to their advantage is the inattentional blindness exhibited by most of us. This is often accomplished through manipulation of our attention by making lots of gestures that are unrelated to the key point of the illusion or by conditioning the audience with the expected motion (i.e., moving a coin from hand to hand) before the magician does something else that is the crux of the illusion.
In summary, most magicians’ illusions confound their audiences because our brains are costly to run and we are cognitive misers (some might say lazy). Thus we latch onto the first thing that matches our prior experiences when we encounter something we haven’t seen before.